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Image ID: 1962.1.7.jpg
Model 1
A peach-colored waistcoat with decorative stitching and small floral patterns, featuring a high collar and buttons down the front. It includes two flap pockets at the waist and is worn over a white shirt with puffed sleeves and ruffled cuffs.
Model 2
This is a historical men's waistcoat in salmon pink with quilted fabric and decorative trim along edges and pockets. It features a row of buttons down the center front, detailed embroidery throughout, and is displayed with a white linen shirt with ruffled high collar and full sleeves with ruffled cuffs. The formal ensemble is mounted on a display stand against a neutral background.
Model 3
A sleeveless, peach-colored waistcoat made of quilted silk with a subtle sheen. It features detailed embroidery with a floral motif along the edges and pockets, embellished with small beads. The waistcoat has a high collar and buttons down the front. The edges are trimmed with dark piping, adding contrast to the light fabric. It is displayed over a white, long-sleeved shirt with ruffled cuffs and collar.
Image ID: 1964.136.1.jpg
Model 1
A cream-colored waistcoat with intricate embroidery featuring small floral patterns. It has a row of buttons down the front and is displayed over a white shirt with full, puffed sleeves and a high, ruffled collar. The waistcoat has a V-shaped hem with additional detailed embroidery along the edges and pockets.
Model 2
An 18th-century waistcoat displayed on a mannequin with cream silk fabric patterned with small embroidered motifs. Features intricate silver embellishments along edges and hem. Worn with a white linen shirt with full sleeves and high ruffled collar. The waistcoat has a pointed front hem and decorative buttons down center front.
Model 3
A men's waistcoat made of light-colored fabric with a subtle sheen, featuring intricate embroidery of small floral and geometric patterns. The garment has a V-shaped neckline, button closure, and decorative edging along the front and bottom hem. The waistcoat is sleeveless and tailored to fit the torso, with a pointed front hem and ornate detailing at the lower edges.
Image ID: WAG 1996.2.jpg
Model 1
A sleeveless, ornate waistcoat with a high collar and button closure. The fabric features a detailed floral pattern with blue, red, and green accents on a light background. The design includes vertical panels and a decorative border along the hem.
Model 2
This is an ornate sleeveless waistcoat on a dress form, featuring a cream background with intricate floral embroidery. The garment has a high collar, blue piping along the edges, and decorative buttons down the center front. The pattern includes detailed floral designs in blue, green, and burgundy tones, with a diagonal dotted pattern throughout. The bottom hem features an ornamental border design.
Model 3
A sleeveless, high-collared waistcoat made of white fabric with intricate floral embroidery in blue, green, and red. The front features a vertical row of buttons and is adorned with small diamond patterns. The hemline and edges are decorated with detailed floral motifs, and the garment has a tailored fit with a pointed bottom edge.
Image ID: 52.53.63.jpg
Model 1
A mannequin wears a formal ensemble consisting of a long black coat with a high collar and button details, a tan waistcoat with buttons, white shirt with ruffled cuffs, and knee-length black breeches. The outfit is displayed on a white mannequin without a head or shoes.
Model 2
A formal black tailcoat displayed on a mannequin, featuring a long back with button closure down the front. Worn with knee-length black breeches, a cream-colored waistcoat with small buttons, and a white shirt with ruffled collar. This ensemble represents a traditional gentleman's formal attire, likely from the 18th or 19th century.
Model 3
A black man's coat made of fabric, featuring a long, tailored shape with a high collar and knee-length hem. It has long sleeves and a row of buttons down the front. The coat is worn over a light-colored waistcoat with decorative buttons, and paired with black breeches that end just below the knee. White ruffled cuffs and a high-collared shirt are visible at the neckline and wrists.
Image ID: 1988.362.jpg
Model 1
A mannequin displays a pair of stays, which are a type of historical corset. The stays are brown, featuring vertical boning for support, and are worn over a white, long-sleeved undergarment with ruffled cuffs and neckline. The stays have tabs at the bottom and are fitted to shape the torso. The mannequin is mounted on a stand.
Model 2
This historical undergarment features a brown corded bodice with structured boning and a cream-colored linen shift beneath. The white garment has bell-shaped sleeves with gathered cuffs and a gathered neckline. The stays create a conical torso shape and include side lacing. The ensemble is displayed on a mannequin torso mounted on a stand against a neutral background.
Model 3
A mannequin displays a structured, brown corset-like garment with vertical stitching, fitting snugly over a long, white linen dress. The stays have a pointed front, extending below the waist, with tabs at the bottom edge. The dress features long sleeves with gathered cuffs and a ruffled neckline. The stays have a defined boned structure, accentuating the torso.
Image ID: 50.98.1.jpg
Model 1
The image shows a mannequin wearing an 18th-century woman's open gown and petticoat. The gown has a floral pattern with shades of blue, pink, and beige. It features a fitted bodice and three-quarter sleeves. The petticoat is pale beige with a quilted design. A white lace shawl is draped over the shoulders.
Model 2
This is an 18th-century style dress with a floral-patterned open robe over a cream quilted petticoat. The bodice and sides feature blue, green, and peach floral brocade on a light background. A delicate white lace fichu (collar) drapes across the shoulders. The gown has three-quarter sleeves and is displayed on a mannequin against a neutral background.
Model 3
The garment consists of an open gown and petticoat. The gown is made of floral-patterned fabric with shades of blue, cream, and peach. It has a fitted bodice, elbow-length sleeves, and a wide skirt. The petticoat is cream-colored with a quilted diamond pattern. A white lace kerchief is draped over the shoulders. The overall silhouette is voluminous, characteristic of 18th-century fashion.
Image ID: 1969.121.1.jpg
Model 1
The image shows a mannequin wearing an open gown and petticoat. The outfit is made of light-colored fabric with a floral pattern. The gown has a fitted bodice with a square neckline and elbow-length sleeves, ending in ruffles. The skirt is full and pleated, extending outward. The floral designs feature various colors, including red and yellow.
Model 2
An 18th-century cream silk gown displayed on a mannequin, featuring delicate floral embroidery in pink, yellow, and green throughout. The dress has three-quarter length sleeves with ruffled cuffs, a scooped neckline with gathered trim, and a fitted bodice that flows into a wide skirt with decorative panels at the sides. The fabric has a subtle striped texture with scattered rose motifs.
Model 3
An 18th-century woman's open gown and petticoat made of cream-colored silk with a floral pattern. The gown features a fitted bodice with a square neckline, elbow-length sleeves with ruffled cuffs, and a pleated skirt. The fabric is adorned with multicolored embroidered flowers, including roses. The gown has decorative buttons down the front and pleated trim along the edges and sleeves.
Image ID: 46.68.1.jpg
Model 1
A mannequin displays a woman's open gown with a matching petticoat. The gown is light green with vertical stripes and floral patterns, featuring elbow-length sleeves. It has a wide, white lace collar. The petticoat is visible underneath, made of a blue, quilted fabric with a subtle pattern. The gown is displayed open in the front to reveal the petticoat.
Model 2
This historical women's dress features a mint green open gown with delicate floral embroidery in pink and red scattered throughout. It has elbow-length sleeves, a wide white lace collar, and a fitted bodice that opens to reveal a pale blue quilted petticoat. The gown is displayed on a mannequin against a neutral background, showing its full silhouette with a narrow waist and full skirt.
Model 3
A woman's open gown and petticoat made of light green silk with vertical stripes. The gown features floral embroidery in pink and red with elbow-length sleeves. It has a wide neckline trimmed with white lace. The petticoat is visible beneath, made of pale blue silk with quilted patterns. The gown is full-length and structured, with a fitted bodice and flared skirt.
Image ID: 1964.129.1.jpg
Model 1
A woman's sack-back gown and petticoat are displayed on a mannequin. The gown is made of cream-colored fabric, featuring elaborate patterns with floral motifs in pink and green. The dress has wide, decorated sleeves and a full skirt. The front of the gown is open, revealing a matching petticoat underneath, adorned with similar embroidery and ruffles. The outfit showcases intricate detailing and craftsmanship.
Model 2
This is an 18th century white silk gown on a mannequin, featuring elaborate embellishments of small floral designs and decorative ruffled trim forming patterns across the dress. The gown has a wide skirt, low neckline, three-quarter sleeves with ruffled cuffs, and delicate embroidery throughout. It represents formal women's fashion with its structured silhouette and ornate detailing.
Model 3
A luxurious gown and petticoat ensemble made of ivory silk, featuring a fitted bodice and full skirt. The gown is adorned with intricate floral embroidery in shades of green and pink. The front of the gown showcases elaborate pleating and ruffles, with similar embellishments on the sleeves. The fabric has a subtle sheen, enhancing the detailed design. The gown has a wide neckline and three-quarter-length sleeves with ruffled cuffs.
Image ID: 1963.289.3.jpg
Model 1
A mannequin displays an 18th-century woman's open gown. The gown features a floral pattern on a white background with a fitted bodice and long sleeves ending in ruffles. It is open at the front to reveal a pink silk skirt underneath. The neckline is adorned with a delicate lace shawl draped over the shoulders.
Model 2
This is an 18th-century style dress featuring a cream-colored bodice and overskirt with delicate floral patterns in red and green. The garment has distinctive bell sleeves with white ruffles and opens at the front to reveal a coral-pink silk underskirt. The bodice is fitted with a wide neckline and decorative trim, showcasing the elegant silhouette characteristic of formal period attire.
Model 3
An open gown made of floral-patterned fabric with a white background and colorful floral designs. The gown features a fitted bodice with a deep neckline and elbow-length sleeves with ruffled cuffs. Below the bodice, the gown opens to reveal a pink silk skirt. The ensemble includes a white fichu or shawl draped around the shoulders. The dress has a full, flowing shape.
Image ID: 50.104.5.jpg
Model 1
A pair of men's padded stockings made from a light-colored fabric. Each stocking has a long, tubular shape with a distinct padded section in the middle, featuring horizontal stitching. The bottom of each stocking has an opening for the foot. The fabric shows slight discoloration and wear in some areas.
Model 2
The image shows a pair of off-white, knee-length stockings with distinctive ribbed padding around the calf area. They have separated toes at the bottom, creating a split foot design. The fabric appears to be cotton or linen with some visible aging or staining. The stockings are displayed flat against a terracotta-colored background, showing both front and back views.
Model 3
A pair of men's padded stockings made of cream-colored fabric. Each stocking is long and cylindrical, tapering toward the foot with a loop at the bottom. The design features horizontal padding on the lower section, providing texture and volume. The fabric shows slight discoloration in areas.
Image ID: LL 1918.jpg
Model 1
A round jasperware medallion featuring a raised black figure of a kneeling man in chains on a white background. The man is depicted with hands clasped together. Surrounding the figure, the text reads "AM I NOT A MAN AND A BROTHER."
Model 2
This is a round white jasperware medallion featuring a silhouette of a kneeling figure in chains. The dark relief figure is set against the white background, with some text visible around the upper edge that appears to read "AM I NOT A MAN AND A BROTHER." The medallion depicts an abolitionist symbol.
Model 3
A round white Jasperware medallion featuring a raised black figure of a person kneeling with hands clasped and chains around the wrists. The words "AM I NOT A MAN AND A BROTHER" are inscribed around the top edge.
Image ID: LL 1139.jpg
Model 1
A black ceramic bulb pot featuring six round compartments. The sides are decorated with reliefs of three cherub-like figures holding garlands. The pot has a wavy top edge and stands on four small, curved feet.
Model 2
This black ceramic container features decorative relief figures holding garlands around its exterior. The scalloped-edge base holds multiple small cup-like compartments arranged in a circular pattern. The ornate vessel stands on curved feet and has an elegant, wavy rim. One of the interior bowls appears to contain something small and yellow.
Model 3
A dark, rectangular ceramic pot with six circular openings on top, resembling small cups. The sides feature embossed figures of cherubs holding garlands. The edges are slightly wavy, and the pot stands on four short, curved legs.
Image ID: LL 1055.jpg
Model 1
The image shows an ornate vase with a cover. It has a marbled brown surface with intricate patterns. Two decorative, curved handles extend from the sides, resembling golden leaves or vines. The vase rests on a square base featuring a subtle design, and the lid is topped with a small, rounded finial.
Model 2
This ornate urn features a brown marbled surface with gold accents. It has two decorative curved handles, a rounded body that narrows at the bottom, and a domed lid with a small finial. The vessel sits on a white square base with carved detailing. The gold swag decorations and classical proportions suggest a neoclassical design.
Model 3
A decorative vase with a lid, featuring a marbled brown and gold pattern. It has two ornate, gold-colored handles that curve outward and are adorned with leaf-like details. The vase sits on a pedestal base with a rectangular platform decorated with an oval motif. The lid is topped with a small, rounded finial.
Image ID: LL 1391.jpg
Model 1
The image shows a slate tablet featuring a sculpted relief of a seated male figure, possibly resting or slumped, holding a spear. Beside him is an animal, likely a dog or similar creature, with its head raised. The relief is framed in an ornate, gold-colored frame with decorative patterns and a hanging hook at the top.
Model 2
This terracotta relief sculpture shows a seated figure with a spear alongside a howling dog or wolf standing on its hind legs. The relief is set against a dark slate background and framed in an ornate gilded frame with decorative patterns. The sculpture appears to be from the neoclassical tradition, with the date "L.J. 1831" visible in the corner.
Model 3
A framed relief sculpture shows a reclining nude male figure with a spear, resting on a rocky surface. Beside him, a rearing goat is depicted, with its front legs lifted and head tilted upwards. The figures are crafted in a reddish-brown hue, contrasting with the dark background. The frame is ornate, with a gold finish and decorative patterns.
Image ID: LL 1109.jpg
Model 1
A black bust sculpture of a bearded man with curly hair, wearing a headband. The bust includes the shoulders and part of the chest, draped in fabric. It is mounted on a round pedestal base.
Model 2
This black bust sculpture depicts a figure with curly hair and a full beard wearing a headband. The sculpture features draped robes across the shoulders and chest. The polished material creates distinct shadows and highlights on the facial features and clothing textures. The bust is mounted on a round pedestal base.
Model 3
A dark, intricately detailed sculpture of a bearded man with curly hair and a headband. The bust shows the head and shoulders, revealing a draped garment. The expression is solemn, with deep-set eyes. The piece is mounted on a rounded pedestal base.
Image ID: LL 1076.jpg
Model 1
A decorative basket-shaped object with a lid, featuring a black and white woven pattern. The design mimics the appearance of a traditional basket, with raised ridges and a braided edge. The object includes two handles on either side and a small, circular opening at the top of the lid.
Model 2
This decorative ceramic container features a black base with white lattice overlay in a basket-weave pattern. It has a rounded body that narrows at the waist with twisted rope-like trim. The lid has an open lattice design with a black neck opening. Two small handles extend from opposite sides, creating a sophisticated serving vessel with ornamental qualities.
Model 3
A ceramic tureen with a lid, featuring a woven basket-like design. The surface is black with white linear accents resembling wicker. The lid has a central, raised knob and a lattice pattern. Two handles are on either side, mimicking woven textures. The piece is round with a slightly flared base, encircled by braided detailing.
Image ID: LL 1449.jpg
Model 1
A blue and white ceramic bottle cooler with detailed relief designs. It features classical figures, including cherubs, draped in fabric and surrounded by decorative foliage. The cooler has ornate handles shaped like leaves on each side and is supported by a round base. The intricate design adds visual interest to the piece.
Model 2
This is a light blue ceramic planter with white relief decorations. The round vessel features neoclassical designs with cherub figures playing between columns with draped fabric. The rim has a leaf pattern border, and small wing-like handles adorn the sides. The piece has a smooth base and classical proportions.
Model 3
A blue ceramic cooler with a round shape and two leaf-like handles on the sides. It features white relief decorations of cherubic figures playing amidst draped fabric and floral motifs. The top edge is adorned with a delicate white vine pattern, while the base is simple and unadorned.
Image ID: LL 1537.jpg
Model 1
A porcelain cup and saucer set. The cup is light blue with white decorative relief showing figures and animals. The saucer has a matching color scheme with a striped pattern around the edge. Both pieces exhibit a smooth, glossy finish.
Model 2
A light blue porcelain teacup with white trim sits on a matching saucer. The cup features a white relief decoration depicting small figures and animals pulling a chariot. The saucer has radiating blue striped pattern around its edge. Both pieces have a refined, delicate appearance typical of fine china.
Model 3
A blue porcelain cup with a white interior, featuring a decorative white relief depicting cherubs and animals. The matching saucer has a striped pattern radiating from the center, with a similar color scheme. The cup and saucer have a smooth, glossy finish.
Image ID: M9.jpg
Model 1
A rectangular plaque with a rounded top featuring a gold-colored relief of a seated figure holding a book. The background is blue with decorative floral and geometric motifs in red, white, and gold. The figure is centered and surrounded by a red halo, with intricate detailing on the robe and a patterned border. The plaque has small holes at the corners, possibly for attachment.
Model 2
This medieval plaque shows a gilt relief figure holding a book, set against a vibrant blue background with decorative enamel work. The arched plaque features ornate floral and geometric patterns, with quatrefoil and star motifs around the central figure. The figure has a halo with red background and stands on a stylized base.
Model 3
A rectangular plaque with a rounded top, featuring a gold figure seated and holding a book. The figure is set against a blue background with decorative patterns and circular motifs in red, gold, and light blue. The plaque is bordered in gold and has small holes at the corners, possibly for attachment.
Image ID: 39.40.26.jpg
Model 1
A metal jug with a rounded body, slightly narrowing at the neck, and a flared rim. It features a curved handle with a decorative scroll at the top and bottom. The jug stands on a circular, slightly raised base. The surface appears smooth with some signs of wear.
Model 2
The image shows a small silver communion jug with a rounded body, flared lip with pouring spout, and an elegantly curved handle that ends in a decorative curl. The metalwork shows signs of age with some tarnishing and marks on its polished surface. It sits on a circular base and appears to be photographed against a neutral background.
Model 3
A metallic communion jug with a round body, slightly tapering neck, and a wide spout. It features a curved handle with a small decorative loop at the base. The jug rests on a circular, raised foot. The surface appears smooth with some reflective qualities.
Image ID: 1976.42.1.jpg
Model 1
A stained glass window featuring a vertical arrangement of circular patterns with red centers on a light blue background. The central panel displays a column of stylized green plants with red and yellow accents. The top and bottom sections have floral designs with red and blue elements. The border features a repeating pattern of yellow geometric shapes and red flowers.
Model 2
This stained glass window features Egyptian-inspired motifs with symmetrical patterns. The central vertical panel shows stylized green plants. The main section contains circular medallions with red centers arranged in a grid. Yellow geometric borders frame the composition, while the top and bottom showcase lotus-like flowers against red backgrounds. The color palette includes rich reds, yellows, greens, and blues.
Model 3
A rectangular stained glass window with intricate geometric patterns. The design features circular motifs with red centers, surrounded by yellow and blue accents. Vertical panels with green floral elements divide the circles. The top and bottom sections display stylized floral and shell-like shapes in red, blue, and green, framed by a yellow and red border with repeating geometric patterns.
Image ID: 1989.21.jpg
Model 1
The "Cinderella Tile Panel" is a framed artwork consisting of several rectangular tiles depicting scenes from the Cinderella story. Each tile features detailed illustrations of characters engaged in various activities, such as dressing, dancing, and interacting in domestic settings. The tiles are set against a patterned background. Below the scenes, a caption narrates the tale of Cinderella becoming a queen.
Model 2
This decorative tile panel shows six illustrated scenes from the Cinderella story arranged in two rows on a patterned background. The scenes depict various moments from the fairy tale, with figures in medieval-style clothing. A caption at the bottom reads "This is the story of the maid with the shoe of glass and of how she became Queen that was before called Cinder-wench."
Model 3
The image shows a framed tile panel depicting scenes from the Cinderella story. There are six rectangular images illustrating different parts of the tale, including Cinderella at home, her transformation, the ball, and the fitting of the glass slipper. Each scene is surrounded by a patterned tile background. Below the illustrations, there is a text panel describing the story of Cinderella becoming queen.
Image ID: WAG 3985.jpg
Model 1
A ceramic sculpture of a peacock with a colorful, detailed plumage stands on a rocky base. The peacock's body features vibrant blues and greens, while its tail displays intricate patterns resembling eyespots. The base includes green leaves and small flowers, adding to the naturalistic appearance. The sculpture is displayed in a glass case.
Model 2
An ornate ceramic peacock sculpture displayed in a glass case. The bird has a vibrant blue-purple head, textured brown and green body, and long decorative tail with characteristic "eye" patterns. It stands on a naturalistic base featuring small flowers, leaves, and mushrooms. The detailed craftsmanship showcases the peacock's proud stance and colorful plumage.
Model 3
A colorful ceramic sculpture of a peacock perched on a rocky base. The bird's body is adorned with vibrant blues, greens, and purples, while its long tail features intricate feather patterns with eye-like designs. The base is detailed with leaves, flowers, and a mushroom, adding natural elements to the piece. The sculpture is encased in a glass display.
Image ID: MMM.1995.7.4.jpg
Model 1
The image is a colorful poster titled "Winter P&O in the East." It features a procession with a camel and elephants adorned in vibrant fabrics. People dressed in traditional attire surround the animals, holding sticks and instruments. The top text reads "Winter P&O in the East," and the bottom text states "Book Here - No Fee."
Model 2
This vintage P&O travel poster advertises "Winter in the East" with vibrant imagery of a ceremonial procession featuring decorated elephants, camels, and attendants in traditional Eastern attire. The colorful illustration shows figures in turbans and ornate clothing. Text at the bottom reads "BOOK HERE-NO FEE" promoting travel bookings. Artist signature appears in the lower left.
Model 3
The image is a colorful poster featuring a procession with a camel and elephants adorned in ornate coverings. Figures in traditional attire, some holding instruments, surround the animals. The text reads "Winter P&O in the East" at the top and "Book Here - No Fee" at the bottom.
Image ID: MMM.1995.132.3.jpg
Model 1
The image is a vintage poster advertising sea excursion trips on the paddle steamer "Marseilles" from Llandudno Pier. It lists various destinations such as Rhyl, Menai Straits, Liverpool, and Douglas along with departure times and fares. The trips are scheduled for early August 1888. The poster is text-heavy, featuring large blue lettering and includes details about refreshments available on board.
Model 2
This vintage poster advertises sea excursion trips aboard the "MARSEILLES" fast saloon steamer from Llandudno Pier in 1888. It details various routes including trips to Rhyl, Menai Straits, Liverpool, and Douglas with specific departure times, return times, and fares. Refreshments are available onboard with prices listed.
Model 3
This is a vintage poster advertising sea excursion trips on the paddle steamer "Marseilles" from Llandudno Pier. The trips include destinations like Rhyl, Menai Straits, Liverpool, and Douglas, with specific departure and return times listed for early August 1888. Fares vary by destination, and refreshments are available onboard. The poster is printed in bold blue text on a beige background.
Image ID: 1988.251.3.jpg
Model 1
A vintage poster advertising the Cunard Line features bold text that reads "Largest, Finest & Fastest ships in the World." Above the text is an image of a large ship with smokestacks, set against a yellow background. The words are in an ornate script, with "Cunard Line" prominently displayed at the top in red letters.
Model 2
This is a vintage Cunard Line advertisement poster featuring red and gold lettering on a dark background. It shows a ship silhouette sailing at sunset in the top portion, and bold text proclaiming "Cunard Line" and "Largest, Finest & Fastest ships in the World." The poster appears to be from the early 20th century.
Model 3
A vintage poster promoting the Cunard Line, featuring the text "Cunard Line: Largest, Finest & Fastest ships in the World" in bold, yellow lettering on a dark green background. Above the text is an illustration of a large steamship with three smokestacks emitting smoke. The poster emphasizes the grandeur and speed of the Cunard Line ships.
Image ID: MMM.1997.23.jpg
Model 1
A vintage propaganda poster titled "The Freedom of the Seas from the Hun Point of View" shows a submarine with a large "U" on it, partially submerged in turbulent water. Two figures stand on its deck, one gesturing outward. In the distance, a ship is sinking, surrounded by lifeboats. The top text reads the title, and at the bottom, a caption in stylized speech by a "U Boat Captain" is displayed.
Model 2
This propaganda poster shows a German U-boat partially submerged with a red U marking, flying a German flag. In the background, a sinking ship burns with black smoke. Text at the top reads "THE FREEDOM OF THE SEAS FROM THE HUN POINT OF VIEW" with a satirical caption below mimicking German accent: "Der seas vos all free now! You can go vere you tam please!"
Model 3
A British World War I propaganda poster depicts a U-boat with a large red "U" on its side. Two figures stand atop the submarine, one pointing outward. A ship sinks in the background, with a lifeboat nearby. The text above reads, "The Freedom of the Seas from the Hun Point of View." Below, dialogue from the U-boat captain says, "Der seas vos all free now! You can go vere you tam please!"
Image ID: 1963.16.3.jpg
Model 1
The image depicts a large steamship named "Falaba," featuring a black hull with a red bottom, several decks, and two prominent masts. Smoke billows from its single funnel, and flags are visible on the masts. In front of the ship is a small tugboat. The scene captures the ship sailing through water with detailed rigging and structures on the deck.
Model 2
This painting depicts a large passenger steamship with a black hull and red bottom, emitting smoke from its funnel. The vessel displays various flags including what appears to be a British ensign. A smaller boat is visible alongside. In the background, a coastal city with a domed building can be seen. The artwork is rendered in a realistic style with dramatic clouds and water textures.
Model 3
A large steamship with a black hull and white superstructure sails on calm waters. Smoke billows from its two masts, and flags are visible atop the ship. In the foreground, a small tugboat assists. The background features a cityscape with a prominent building topped with a blue dome. The sky is filled with fluffy clouds, painted in a realistic style with soft, natural colors.
Image ID: MMM.1989.159.jpg
Model 1
A large, four-bladed propeller made of metal with a conical hub sits on a circular base. The blades are slightly curved and show signs of rust and wear. The cone is dark and textured, contrasting with the lighter, weathered appearance of the blades. The propeller is displayed outdoors on a cobblestone surface.
Model 2
This is a large ship propeller with four curved blades and a cone-shaped hub, displayed on a circular base on cobblestones. The propeller, salvaged from the RMS Lusitania wreck, shows weathering and corrosion. The black cone and metal blades demonstrate the massive scale of this maritime engineering artifact.
Model 3
A four-bladed metal propeller with a cone-shaped hub from the wreck of the RMS Lusitania. The propeller is mounted on a circular base, showing signs of rust and wear, indicative of its time underwater. The blades are large and curved, with a rough texture.
Image ID: 1988.322 DUP118.jpg
Model 1
A white fabric poppy with layered petals and a circular center. The center features a small label with the word "PEACE" printed on it. A thin green stem is visible beneath the flower.
Model 2
The image shows white fabric poppies against a dark blue background. The central poppy has a small circular center with the word "PEACE" printed on it. The flowers appear to be made of soft, satiny material with petals arranged in a circular pattern. A thin stem is visible on the central poppy.
Model 3
A white fabric poppy with multiple petals features a small central disc with the word "PEACE" printed on it. A green stem is attached to the poppy.
Image ID: WAG 7808.jpg
Model 1
A marble statue of a nude female figure, lightly tinted with color. The figure stands with one leg slightly forward and holds a draped cloth around her waist. Her hair is styled and she wears earrings. A small tortoise is at her feet on the round base.
Model 2
Classical marble sculpture of a nude female figure with curled hair and partial drapery wrapped around the lower body. She holds a golden apple in one hand. The sculpture features subtle tinting, with golden accents on the hair and bracelet. The figure stands in a graceful contrapposto pose on a round base.
Model 3
A marble sculpture of a nude woman standing upright, slightly leaning to one side. Her hair is styled with a headband, and she wears earrings. She holds a draped cloth over her right arm and a small apple in her right hand. Her left hand rests gently on the draped cloth. She stands on a round base, with a small tortoise at her feet. The figure is delicately colored, with subtle skin tones and tinted hair.
Image ID: WAG 374.jpg
Model 1
Watercolor painting of Inverary Castle, featuring a stone structure with multiple turrets and arched windows. The castle is set on a grassy field with deer resting and standing nearby. A tall tree is in the foreground, and there are hills in the background.
Model 2
This watercolor landscape depicts a castle nestled among mountains with a prominent hill topped by a structure in the distance. In the foreground, several deer rest beneath a tall, slender tree. The scene includes lush trees along the meadow and a misty atmosphere. The painting features soft, muted colors in a Romantic style with delicate brushwork typical of early 19th-century landscape watercolors.
Model 3
A watercolor painting depicts a castle in a serene landscape. In the foreground, a few deer rest and graze on a grassy field. A large tree stands to the right, its branches extending into the sky. Behind the castle, rolling hills rise under a soft, light-filled sky. The style is gentle and naturalistic, capturing the peaceful essence of the scene with muted earth tones and subtle details.
Image ID: WAG 8164.jpg
Model 1
A watercolor painting of a tall oak tree with a sturdy trunk and expansive branches. The tree is full of foliage, with varying shades of green leaves. It stands on a small patch of land surrounded by water, with some grass and plants near its base. The sky above is light and cloudy.
Model 2
A watercolor landscape featuring a large oak tree standing prominently on a small rise. The tree has detailed foliage in greens and browns, with a distinctive branching structure. In the background are distant hills and water bodies under a pale blue sky with soft clouds. The painting employs delicate brushwork and a subtle color palette typical of 18th-19th century naturalistic landscape studies.
Model 3
A watercolor painting depicting a large tree with dense foliage, standing on a small patch of land surrounded by water. The sky is light blue with soft, fluffy clouds. The tree's branches and leaves are detailed, with a mix of greens and browns. The landscape in the background shows distant hills. The style is naturalistic with soft, blended colors and delicate brushwork.
Image ID: WAG 4116.jpg
Model 1
The sculpture titled "The Pool" depicts a smooth, seated figure with a rounded form, crouching on a textured base. The figure appears to be contemplative, with its head bent forward and arms resting on its knees. The piece is made of a uniform, light-colored material and sits on a rectangular base.
Model 2
A smooth white stone sculpture of a minimalist figure in a hunched or crouched position, appearing contemplative or restful. The upper portion is polished with gentle curves, while the base remains rough-hewn. The figure sits on a square pedestal. A small inscription or maker's mark is visible on the rough stone base.
Model 3
A stone sculpture depicting a seated figure with a rounded form, leaning forward with the head bowed and resting on one knee. The figure's arms are wrapped around the legs, creating a compact and introspective pose. The surface is smooth, with minimal detailing, and the figure appears simplified and abstract. The sculpture rests on a textured block with a flat base.
Image ID: WAG 4146.jpg
Model 1
Two marble busts are displayed. On the left is a smaller bust of a young girl with a bow in her hair. On the right is a larger bust of an older man with a mustache, wearing a suit and tie. Both busts are mounted on cylindrical stone pedestals.
Model 2
The image shows two white marble busts displayed on granite pedestals against a black background. The larger bust on the right depicts an older figure with a mustache wearing formal attire with a tie. The smaller bust on the left portrays a younger figure with hair styled in a bun. Both sculptures are finely detailed examples of classical portrait busts.
Model 3
A marble bust of a man with a mustache and short hair, wearing a suit and tie. The sculpture rests on a square pedestal. Next to it is a smaller marble bust of a young girl with tied-up hair, mounted on a cylindrical pedestal.
Image ID: WAG 4212.jpg
Model 1
A carved stone relief titled "Mysteriarch" depicting a bust of a person with a serene expression. The figure wears a detailed headdress and a garment with intricate patterns. Below the bust is an inscription reading "MYSTERIARCH." Behind the figure is a circular design with swirling patterns. The relief is framed within a rectangular border.
Model 2
This marble relief sculpture portrays a figure with flowing hair and a crown-like headdress against a circular backdrop. The figure wears a formal garment with decorative elements and a medallion at the chest. The sculpture is mounted on an architectural frame with small columns, and the word "MYSTERIARCH" is inscribed at the base.
Model 3
A stone sculpture depicting a bust of a serene, long-haired figure with an ornate headpiece. The figure is framed by a circular, textured background and wears a garment featuring detailed patterns. Below the bust, a rectangular plaque with decorative edges displays inscribed text.
Image ID: WAG 4240.jpg
Model 1
A marble statue of a standing nude female figure with long hair. She is looking slightly upward with her right arm extended forward and her left arm resting by her side. The figure stands on a rectangular base with her left foot slightly forward.
Model 2
The image shows a white marble sculpture of a nude female figure standing upright on a small pedestal. The figure has long, flowing hair and gazes slightly upward. Her left arm rests at her side while her right hand appears to be touching a surface beside her. The sculpture features smooth, classical proportions and naturalistic anatomical details.
Model 3
A marble sculpture of a standing nude female figure with long hair. She appears to be walking forward with her left foot slightly ahead, and her right arm extended downward. Her gaze is directed slightly upward, and her expression is neutral. The sculpture rests on a rectangular base.
Image ID: WAG 8235.jpg
Model 1
A white marble bust of a woman with a solemn expression, wearing a crown and a veil. The sculpture is detailed, showing her clothing and facial features. The base of the bust is inscribed with the word "VICTORIA."
Model 2
This is a white marble bust sculpture of a royal figure wearing a crown and veil. The figure is depicted with a serene expression, dressed in formal robes with detailed drapery across the shoulders. The sculpture sits on a square pedestal base. The craftsmanship shows fine details in the facial features and clothing textures.
Model 3
Marble bust of a woman wearing a crown and veil. Her expression is solemn, with downcast eyes and a neutral mouth. The clothing is detailed, with folds and texture, and she is mounted on a square base with an engraved name.
Image ID: 56.50.45.jpg
Model 1
The image shows a preparatory sketch featuring a large bird perched on a branch surrounded by pine needles. Below, two smaller birds are depicted in flight. The artwork is rendered in black ink on a long, vertical piece of paper, with subtle calligraphy visible on the right side.
Model 2
This black and white sketch depicts a large owl perched on a pine branch, with detailed feathers giving it a round, fluffy appearance. Below, two smaller birds fly. The composition features delicate pine needles and cones surrounding the owl. Japanese calligraphy appears in the upper right corner. The drawing style uses fine lines with varying intensity to create texture and depth on aged paper.
Model 3
A vertical artwork features a detailed sketch of a bird perched on a pine branch, surrounded by delicate pine needles. The bird's feathers are intricately drawn, suggesting a textured appearance. Below, two smaller birds are depicted in flight. The style is linear and expressive, with fine ink lines and subtle shading on a light background, showcasing a traditional Asian ink painting technique.
Image ID: 56.50.52.jpg
Model 1
A sketch shows a crane with outstretched wings, positioned near a bamboo stalk. Below, wavy lines depict water with frothy waves crashing around rocks. The crane's feathers are detailed, and the bamboo leaves are sparse. The composition includes calligraphy on the right side.
Model 2
Traditional East Asian ink painting of a white crane with dark-tipped wings and long plumage standing near bamboo and rocks. The bird stands above stylized waves crashing against stones below. The composition features delicate brushwork on aged paper with Chinese/Japanese characters visible on the right side. The monochromatic palette uses subtle washes with occasional color accents.
Model 3
A vertical artwork featuring a white crane with outstretched wings, positioned near bamboo stalks. The crane's beak is open, and its feathers are detailed with subtle shading. Below, stylized waves in soft gray tones create a sense of movement. The background is a light beige, enhancing the gentle flow of the scene. Calligraphic text is present on the right side, adding an element of traditional style.
Image ID: 56.50.74.jpg
Model 1
The image features a detailed preparatory sketch on paper depicting a figure in flowing robes, with an intricate hairstyle. The figure holds a basket filled with various items, possibly fruits or flowers. The sketch is rendered in fine black lines, capturing the folds and patterns of the clothing. The overall composition suggests movement and grace.
Model 2
This black and white sketch depicts two figures in traditional East Asian robes amid stylized clouds. The taller figure holds what appears to be a small object, while the smaller figure presents a tray with offerings. The drawing features delicate linework on aged paper with visible fold marks, executed in a classical Chinese or Japanese artistic style.
Model 3
Ink sketch on paper depicting a woman in flowing robes, standing among stylized clouds. Her hair is elaborately styled, and she holds a fan. Another figure, partially obscured, is seen holding a tray with a pumpkin and foliage. The artwork features fine linework with detailed patterns on the clothing, characteristic of traditional Asian ink drawing. The background is plain, emphasizing the figures.
Image ID: 56.50.80.jpg
Model 1
A preparatory sketch featuring detailed line drawings of various aquatic creatures, including fish, an octopus, and a crab. Above, a branch with peach blossoms extends across the composition. The sketch is executed in black ink on a light background, showcasing intricate details and fluid lines.
Model 2
This sketch shows a delicate aquatic scene with koi fish swimming among flowering branches, an octopus, crabs, shells, and other marine creatures. The illustration is rendered in fine black ink lines on aged paper, featuring both above-water elements (blossoms) and underwater life in traditional East Asian artistic style.
Model 3
The image is a preparatory sketch featuring detailed illustrations of marine life and flora. It includes fish, an octopus, and a crab, alongside a branch of blooming peach blossoms. The sketch is rendered in black ink on a light background, showcasing intricate linework and shading to depict the natural elements.
Image ID: 56.50.99.jpg
Model 1
A detailed depiction of an autumn scene featuring an owl perched on a tree branch adorned with red and orange leaves. Several small birds are flying and resting among the branches. The foreground shows foliage and plants, while a stream flows through rocks. The artwork uses ink and color on paper, capturing the essence of a natural autumn landscape.
Model 2
Traditional East Asian painting depicting an owl perched on a maple branch with vibrant red autumn leaves. Small birds fly nearby while a stream flows below through a rocky landscape. The scene features delicate brushwork typical of ink wash painting, with soft colors highlighting the fall foliage, water elements, and various flora in a misty mountain setting.
Model 3
A traditional painting depicting an autumn landscape featuring an owl perched on a branch amid vibrant red and orange maple leaves. Several birds are in flight and perched on branches. The scene includes a flowing stream, rocks, and foliage in the foreground, with subtle gray tones in the background. The style is delicate, with fine brushwork and a harmonious blend of colors, typical of East Asian art.
Image ID: 56.50.108.jpg
Model 1
A simple black ink sketch of a horse with an open mouth and raised legs, appearing in a dynamic, rearing position. The horse's mane and tail are depicted with light, flowing lines. The drawing is on a plain, beige paper with some visible spots.
Model 2
This is a simple line drawing of a rearing horse with its mouth open, showing teeth. The sketch uses minimal, flowing lines on a cream-colored paper with some age spots. The horse appears energetic, with a defined mane and a tail suggested by a few strokes at the bottom right. The drawing has a spontaneous, gestural quality.
Model 3
A simple line sketch depicts a horse in motion, with its head turned to the side, mouth open, and mane flowing. The horse's legs are bent, suggesting movement or struggle. The drawing is minimalistic and uses thin, fluid lines on a light paper background, with some visible specks and aging marks. The style is loose and expressive, focusing on capturing the form and energy of the horse.
Image ID: 56.50.155.jpg
Model 1
A detailed sketch depicting a bird perched on a branch among blooming flowers and foliage. The drawing is in black ink with delicate, intricate lines capturing the textures of the bird's feathers and the surrounding plants. The composition is horizontal, with the bird facing right and the flowers and leaves extending across the image.
Model 2
This monochrome ink sketch depicts a small bird perched among flowering branches and foliage. The composition features delicate line work showing blossoms in various stages of bloom alongside thin, wispy stems and leaves. The bird, rendered with subtle shading, appears to be resting on one of the branches. The drawing employs a loose, fluid style characteristic of East Asian brush painting techniques.
Model 3
A monochrome sketch depicting a bird perched on a branch surrounded by delicate flowers and foliage. The artwork features fine lines and intricate details, with a focus on the natural elements. The style is reminiscent of traditional East Asian ink drawings, emphasizing simplicity and elegance in the depiction of nature.
Image ID: 56.50.183.jpg
Model 1
The image shows a preparatory sketch divided into two vertical panels. The left panel features bamboo and turtles on a rock near water. The right panel depicts two cranes standing among pine trees, with the sun visible in the sky. The drawing is done in black ink on a light background.
Model 2
This sketch features two vertical panels in traditional East Asian style. The left panel shows bamboo stems and turtles near water and rocks. The right panel depicts cranes among pine trees with a full moon above. Both scenes are rendered with delicate, minimal line work on aged paper, exemplifying nature themes common in classical Asian brush drawing.
Model 3
The artwork consists of two vertical panels with ink sketches. The left panel shows bamboo, rocks, and a turtle near water. The right panel features two cranes among pine trees, with one crane bending its neck. A sun is visible in the sky. The style is delicate and detailed, using fine lines to depict natural elements.
Image ID: LL 13.jpg
Model 1
Marble statuette of a standing figure with both male and female attributes. The figure has long, curly hair and stands on a rectangular base. One arm is raised, touching the hair, while the other holds an object. The figure's stance is relaxed, with weight shifted to one leg.
Model 2
Classical marble sculpture depicting a figure with female breasts and male genitalia. The figure stands in a contrapposto pose with one arm raised toward the head, holding what appears to be a cloth. The other hand holds an object. The sculpture features curly hair and stands beside a support structure on a square base.
Model 3
A marble sculpture of a standing figure with both male and female anatomical features. The figure has long, curly hair and is posed with the right arm bent, holding a section of hair. The left arm holds a small object. The stance is relaxed, with one leg slightly forward. The sculpture is mounted on a rectangular base.
Image ID: LL 208.jpg
Model 1
Marble statue of a nude male figure, standing upright. The figure raises a dish in the right hand while holding a mask-like object in the left. A draped cloth hangs over the left arm. The statue is set on a square base. The figure has curly hair and a muscular build.
Model 2
This marble statue depicts a nude classical figure with curly hair standing upright. The figure holds a shallow dish raised in one hand and a vessel in the other. A draped cloth hangs at the side. The sculpture shows detailed anatomical features and stands on a pedestal between white columns in a museum setting.
Model 3
A marble sculpture of a nude male figure standing upright. The figure is holding a shallow bowl aloft in his right hand. His left hand holds an object resembling a vessel or flask. A draped cloth hangs from his left arm. The figure has curly hair and is positioned on a square pedestal.
Image ID: M8021.jpg
Model 1
The image shows a carved bookbinding panel depicting The Ascension. It features a central figure being lifted upwards, surrounded by a group of figures below. The scene is framed with a decorative border. The figures are arranged in a relief style with detailed expressions and gestures, and there is a tree on the left side.
Model 2
This ivory relief panel shows The Ascension scene with a central figure rising upward with outstretched arms, while several figures below look upward with raised hands. Decorative flowers appear on the left side. The rectangular panel has an ornate carved border with small holes, likely for attachment to a book cover.
Model 3
This is an ivory bookbinding panel depicting The Ascension. It shows a central figure being lifted upwards, surrounded by several figures looking up. A tree is on the left side. The panel is bordered with a decorative pattern featuring floral motifs.